Tuesday, July 15, 2008

tanuki genitals

Tanuki genitals
By ALICE GORDENKER

Dear Alice,
About 20 years ago, I lived in Fukui. When I traveled around that prefecture, I often saw statues outside restaurants that appeared to be of giant hedgehogs. They wore traditional clothing and gave me the impression of being "overly friendly," perhaps because of their hugely oversize testicles. (I always thought such statues would be perfect for used-car lots here in the United States: "Come on in, we would love to scr*w you!") However, I don't recall seeing such statues elsewhere in Japan, or in any of the "Japan Towns" here in California. What the heck are those hedgehogs?
Cheryl K., San Francisco, U.S.

Dear Cheryl,

Well, this is going to be fun: it's not every day I get to hold forth on zoology and male anatomy in the same column. I know exactly the statues you mean. The testicle bit was a huge giveaway, of course, but those figures are seen pretty much everywhere in Japan. The animal depicted is not a hedgehog — it's a small mammal called a tanuki.

Getting the correct English for that turned out to be tricky. I had always thought it was "badger," but in the course of researching your question, I found out that the badger is a different animal. I also learned that what has been called "tanuki" has changed through history and varies by region. But to keep things simple, I'll focus on the animal most Japanese would identify as tanuki.

That is Nyctereutes procyonodoides, a member of the canid family (which includes dogs, wolves and foxes), and is indigenous to Japan, China, Korea and parts of Siberia. Its English name is "raccoon dog," and it does look a lot like the North American raccoon, minus the tail stripes, (though a raccoon, by the way, is not a canid itself.)

Now that we've got classification covered, let's move on to anatomy. I'm not quite sure how to break this to you, Cheryl, but you've got your body parts mixed up. Having conducted dozens of intimate examinations on actual tanuki statues, I can state with authority that it's not the testicles (kogan) that are oversize; it's the scrotum (inno). Furthermore, it's only in statuary that tanuki carry a lot between the knees; the scrotum of the living animal is proportionate to its body size, which is to say no bigger than your pinkie.

Nevertheless, if you ask your Japanese friends how big a tanuki's bag is, you'll hear plenty of hyperbole. A common answer will be hachijo-jiki (an eight-tatami mat spread), or about 12 sq. meters. When I popped the question to my friend Masae, she declared, "Huge!" and burst into a schoolyard song: Tan-tan-tanuki no kintama wa, kaze mo nai no ni, bu-ra bura! Roughly translated, this means "The tanuki's balls! There isn't any wind but they still go swing, swing, swing!"

Knowing there must be a reason behind such pervasive embellishment, I got in touch with Kazuo Iihara, a professor at Tokushima Bunri University on Shikoku Island who has written extensively on Japanese legends. I wasn't sure how to bring up the testicular topic, particularly on the phone, so I tried to ease into it by relaying your impression that tanuki are "overly friendly." But Iihara was quick to dismiss any association between the enlarged scrotum and special sexual powers.

"There are all sorts of legends concerning tanuki, but very few have anything to do with sex," he said. "I mean, think about it," the octogenarian chided, "the size of a man's scrotum doesn't have anything to do with his sexual prowess, now does it?"

I got off the phone (fast!) and settled into the library, where I eventually came across what seems to be the most accepted explanation for the king-size nut sack. In his book "Hagane no Chishiki, (Knowledge about Steel)" (Diamond Shakan, 1971), Shigeo Okuwa traces the super-size scrotum story to metal workers in Kanazawa Prefecture. To make gold leaf, these craftsmen would wrap gold in a tanuki skin before carefully hammering the gold into thin sheets. It was said that gold is so malleable, and tanuki skin so strong, that even a small piece could be thinned to the size of eight tatami mats. And because the Japanese for "small ball of gold" (kin no tama) is very close to the slang term for testicles (kintama), the eight-mat brag got stuck on the tanuki's bag. Soon, images of a tanuki began to be sold as prosperity charms, purported to stretch one's money and bring good fortune.

Most tanuki statues are Shigaraki-yaki, a type of ceramic ware made in and around the town of Koga in Saga Prefecture. According to the association of local pottery manufacturers, the now familiar design of a cheerful, slightly goofy-looking tanuki, often carrying a flask of sake, was developed by Tetsuzo Fujiwara, a potter who moved to the area in 1936 and devoted the rest of his career to tanuki statuary. In 1951, on the occasion of an imperial visit, the town prepared a special row of flag-waving tanuki statues. Emperor Hirohito was so charmed by this welcome that he penned a poem about it. That was a story the media couldn't resist, and the resulting publicity contributed greatly to the popularity of the statues. The most common place to see a tanuki statue is in front of restaurants and shops, where they're placed to lend some traditional atmosphere and invite success in business (shobai hanjo).

To see how the statues are made, take a look at the Web site of Maruichi Okada Ceramics ( www.yakimono.co.jp/create/ tanuki.html ). A series of photographs beautifully illustrates the process. Tanuki statues come in a variety of styles and sizes, ranging from minis to the massive No. 55, which stands as tall as a man at 162 cm, with a price tag to match (¥787,500). Scrotal size varies depending on design.

And should we have any readers who own used-car lots, company president Yozo Okuda says he'll ship anywhere in the world.


Photo by Daniela Kato. Soba restaurant at Togakushi, Nagano.
One more tanuki photo here.

Saturday, July 12, 2008

highly recommended



Manufactured Landscapes - a feature documentary by Jennifer Baichwal (2006, Canada, 90 mins.)

... a feature length documentary on the world and work of renowned artist Edward Burtynsky. Burtynsky makes large-scale photographs of ‘manufactured landscapes’ – quarries, recycling yards, factories, mines, dams. He photographs civilization’s materials and debris, but in a way people describe as “stunning” or “beautiful,” and so raises all kinds of questions about ethics and aesthetics without trying to easily answer them.The film follows Burtynsky to China as he travels the country photographing the evidence and effects of that country’s massive industrial revolution. Sites such as the Three Gorges Dam, which is bigger by 50% than any other dam in the world and displaced over a million people, factory floors over a kilometre long, and the breathtaking scale of Shanghai’s urban renewal are subjects for his lens and our motion picture camera.Shot in Super-16mm film, Manufactured Landscapes extends the narrative streams of Burtynsky’s photographs, allowing us to meditate on our profound impact on the planet and witness both the epicentres of industrial endeavour and the dumping grounds of its waste. What makes the photographs so powerful is his refusal in them to be didactic. We are all implicated here, they tell us: there are no easy answers. The film continues this approach of presenting complexity, without trying to reach simplistic judgements or reductive resolutions. In the process, it tries to shift our consciousness about the world and the way we live in it.

Text and image taken from Edward Burtynsky's website. More info on the film available here.

Click here for trailer (QuickTime required).


Review by John Harkness, Now / September 7 - 13, 2006

The director of Let It Come Down: The Life Of Paul Bowles and The True Meaning Of Pictures: Shelby Lee Adams' Appalachia follows photographer Edward Burtynsky to China, where he continues his artistic investigation of the large-scale industrial despoliation of nature. There's an irony inherent in Burtynsky's work. On the one hand, he documents ecological devastation. On the other, the terrific photographer finds beauty in these landscapes and is drawn to their striking colours or intriguing compositional angles.
One of the things Baichwal does in the film is give us a look at what China's industrial revolution means, and its scale is staggering. The monumental opening dolly shot through a modern factory space has an almost Godard-like grandeur.

More reviews available here.

Friday, July 11, 2008

afternoon stroll




Iizuna, Nagano
11 July 2008

Sunday, July 6, 2008

ponyscapes

Yuki-kun
Nagano, 5 July 2008

Inari Dai-Myo-Jin


Inari Shrine
Togakushi Forest Botanical Garden
Nagano
5 July 2008

Kagamiike





Lake Kagami
Togakushi Forest Botanical Garden
Nagano
5 July 2008

Kotorigaike





Lake Kotoriga
Togakushi Forest
Nagano
5 July 2008

Togakushi - Local fauna


Togakushi Forest Botanical Garden
Nagano
5 July 2008

Saturday, July 5, 2008

Guardians of the forest



Togakushi Chûsha / Mid Shrine







Togakushi Forest
Nagano
5 July 2008

Togakushi - Trees







Togakushi Forest Botanical Garden






Togakushi Chûsha / Mid Shrine
Togakushi, Nagano
5 July 2008

Togakushi - Flowers








Togakushi Forest Botanical Garden
Togakushi, Nagano
5 July 2008