Yasukuni Shrine at night
Its name translates as “peaceful country,” millions have silently prayed there for an end to wars, and for much of the year the loudest sound is the buzzing of insects and the shuffle of old footsteps to the hushed main hall. Yet Yasukuni Shrine, which occupies a single square kilometer of central Tokyo, is one of the most controversial pieces of real estate in Asia, resented by millions who consider it a monument to war, empire, and Japan’s unrepentant and undigested militarism.
Its name translates as “peaceful country,” millions have silently prayed there for an end to wars, and for much of the year the loudest sound is the buzzing of insects and the shuffle of old footsteps to the hushed main hall. Yet Yasukuni Shrine, which occupies a single square kilometer of central Tokyo, is one of the most controversial pieces of real estate in Asia, resented by millions who consider it a monument to war, empire, and Japan’s unrepentant and undigested militarism.
A decade ago when Chinese director Li Ying began filming there he didn’t know what to make of his mysterious subject either. Today, as he watches the official Tokyo launch of his two-hour movie “Yasukuni” go down in flames amid death threats and cancelled screenings, he says the shrine symbolizes a “disease of the spirit” in Japan. “That I haven’t been able to leave this issue alone for the last ten years means that I too am suffering,” explained the 44-year-old Guangdong native. “I didn’t really want to make such a difficult film…so I must be sick to do it. The point is to look directly at the disease.”
from D. McNeill and J. Junkerman, "Freedom Next Time. Japanese Neonationalists Seek to Silence Yasukuni Film" (read full article and interview with director Li Ying here)
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