Showing posts with label nationalism. Show all posts
Showing posts with label nationalism. Show all posts

Thursday, January 15, 2009

Prince Pickles & Miss Parsley...


A must-read on Japan's rising militarism and neo-nationalist gimmicks, travestied as kawaii Hello-Kitty-style mascots.


Japan: The Price of Normalcy

In the early 1990s, the Japanese military adopted a cute mascot by the name of Prince Pickles. He’s a little guy with a big head and big eyes who lives in a tranquil country bordering on some pretty dangerous territory. In three action-packed comic books aimed at young people, Prince Pickles overcomes his naïve belief that a land at peace needs no army. He enlists in his own country’s forces to defend against the predations of the neighboring Evil Empire. He endures intensive training. He helps with disaster relief. He goes on peacekeeping missions. And of course, after these mini-heroic efforts, Prince Pickles gets the girl, his comrade-in-arms Miss Parsley.

The transformation of Prince Pickles is meant to represent the recent history of Japan writ small. In her groundbreaking new book Uneasy Warriors, Sabine Fruhstuck describes Prince Pickles’s transformation as a coded message from the state to its citizens that “knowledge and appreciation of the military can be or should become a normative element of growing up. “Only a state with a military is normal and mature, and only a man with military experience is a real man.” If a fellow who is only two feet tall and looks like a toadstool with eyes can “grow up” with such aplomb, surely young Japanese men have nothing to worry about, even without access to a Marine Corps boot camp to affirm their masculinity.



Prince Pickles is not the only pop culture gimmick that the Japanese military has used to improve its image in recent years and overcome the deeply engrained pacifist tendencies of the Japanese population. In recruitment posters, professional female models proclaim in English, “Peace People Japan, Come On!” A music festival sponsored by the military brings in 40,000 people for annual performances that include sexy young women from the pop music scene. The overall message is that Japan’s new military is fun, flirtatious, and yet family-oriented – a far cry from the message that the U.S. military projects of strength, determination, and leadership. If the U.S. Army is from Mars, its Japanese counterpart is clearly from Venus. Such are the inescapable influences of Japan’s kawai culture of Hello Kitty and giggling schoolgirls.

Don’t be fooled. The new Japanese military is far from cuddly. (continue reading here)


John Feffer, “Japan: The Price of Normalcy” The Asia-Pacific Journal, Vol. 2-3-09, January 10, 2009.

(Images taken from the same source)

Sunday, April 27, 2008

Yasukuni (2)

Its name translates as “peaceful country,” millions have silently prayed there for an end to wars, and for much of the year the loudest sound is the buzzing of insects and the shuffle of old footsteps to the hushed main hall. Yet Yasukuni Shrine, which occupies a single square kilometer of central Tokyo, is one of the most controversial pieces of real estate in Asia, resented by millions who consider it a monument to war, empire, and Japan’s unrepentant and undigested militarism.





















Tokyo
24 April 2008

Wednesday, April 9, 2008

Yasukuni (1)

Yasukuni Shrine at night


Its name translates as “peaceful country,” millions have silently prayed there for an end to wars, and for much of the year the loudest sound is the buzzing of insects and the shuffle of old footsteps to the hushed main hall. Yet Yasukuni Shrine, which occupies a single square kilometer of central Tokyo, is one of the most controversial pieces of real estate in Asia, resented by millions who consider it a monument to war, empire, and Japan’s unrepentant and undigested militarism.
A decade ago when Chinese director Li Ying began filming there he didn’t know what to make of his mysterious subject either. Today, as he watches the official Tokyo launch of his two-hour movie “Yasukuni” go down in flames amid death threats and cancelled screenings, he says the shrine symbolizes a “disease of the spirit” in Japan. “That I haven’t been able to leave this issue alone for the last ten years means that I too am suffering,” explained the 44-year-old Guangdong native. “I didn’t really want to make such a difficult film…so I must be sick to do it. The point is to look directly at the disease.”

from D. McNeill and J. Junkerman, "Freedom Next Time. Japanese Neonationalists Seek to Silence Yasukuni Film" (read full article and interview with director Li Ying here)

Photo and excerpt taken from the Japan Focus website.