Thursday, September 18, 2008

So, let us drink a cup of tea


Kakuzo Okakura, the author of the Book of Tea, laments the rebellion of the Mongolian tribes in the thirteen century not because it brought death and desolation but because it destroyed one of the creations of the Song dynasty, the most precious among them, the art of tea. Like Okakura, I know that tea is no minor beverage. When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?
The tea ritual: such a precise repetition of the same gestures and the same tastes; accesion to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.


from Muriel Barbery, The Elegance of the Hedgehog, trans. Alison Anderson (N.Y.: Europa Editions, 2008), p. 91.

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